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RACER X - STREET LETHAL (1986)


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With this debut album Americans Racer X in 1986. Street Lethal contains 11 tracks everything you want in a good album of Heavy Metal. Stratospheric alone, by one of the best guitarists in the world, Paul Gilbert, solid rhythmic base and very good voices. Racer X were sponsored in the beginning by Mike Varney, which is a guarantee of quality and although Lethal Street does not have a shiny production, it does sound pretty raw, fierce and majestic like to remind you why you love this music. Racer X was one of the many bands that swarmed Los Angeles in the mid 80's, only consisted of four great geniuses of music. Besides the aforementioned Gilbert, Jeff Martin, John Alderete and Gschoesser Harry stepped closer to 'merge' technical virtuosity and wonderful high school with the aggressiveness and power of metal over 'vulgar', as it were somehow getting so please everyone: those who want an electric guitar clinic and those who play racquet with relish. As a cross between Yngwie Malmsteen or Steve Vai with Judas Priest or Accept ... the result ... a thirsty beast of metal but with a brain overdeveloped. The perfect ... Racer X!!.

BNR Metal Racer X Pages ...

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QUO VADIS - FOREVER (1996)

Quo Vadis is a band from Quebec, Canada, formed in 1993 and debuted in 1996 with this work entitled 'Forever'. At that time consisted of guitarists and vocalists Bart Itman Frydrychowicz and Arie, Remy Beauchamp bassist and drummer Yanic Bercier. They were bad times for the true Metal, in which everyone was quite puzzled and somewhat ideas collapsed after the explosion, like a sudden cosmic event, different 'genres' of music, such as Grunge, Industrial, Indie Rock, etc, etc, to contribute something positive away from what they did was blur and lethargic scene real Heavy Metal. In this state of affairs, many bands chose to radicalize their sound, and so came the rise and the invasion of hundreds of thousands of groups playing Death Metal, all praising their Lord Satan and sounding exactly the same (bad), except for some exceptions to the rule. Some of those bands added to the radicalization of a component of sound instrumental technique and compositional classic touches, the addition of keyboards and instruments rather unusual in the Rock (violins, etc ...) and a few fresh ideas and created a style that at least brought some originality to their music and they differed from other .

Such is the case of Quo Vadis, whose main strength lies in the structure of their songs, rather unconventional, and yet, making them sound fluid and not too difficult to digest. Frequent changes of tempos, the wide range of arrangements worked riffs and leave a good impression. Despite being a self-funded and self-produced debut, shows that Quo Vadis know what they want and trying to get what they do. His constant desire to innovate can see through his love for classical music, using piano and violin. In general, 'Forever' is an album that could be called "Melodic Death Metal, or Technical 'which was the label that was invented to classify all those groups who, Quo Vadis, despite playing Death Metal, read a score, or vice versa. Open-minded bands and a broad perspective, which is always good.

PáginaOficial ...

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QUIET RIOT - METAL HEALTH (1983)

This was the third album released by the band of the late Kevin DuBrow (RIP), and is an album remarkable for several reasons. Despite being the tereré release, was first published in the U.S., since the first two, QRI and QRII, in which he played Randy Rhoads, were released only in Japan. Interestingly, despite being the first record that did not have the genius of Randy (who, incidentally, only because he saved the first two papers) was the LP that catapulted them to fame they enjoyed during 80. It was neither more nor less than the first Heavy Metal album reached No. 1 on the charts in the United States, and reached 6 million copies sold. Suddenly, the 'Quietriotmania "had taken over the planet, the party had begun, and be virtually unknown, came to be in the mouth (and ears) of half the world. Another curiosity: this great success was due mainly to a version, not a proper subject. Indeed friends, I am talking about how not to 'Cum On Feel The Noize', the issue just 10 years earlier had made the Slide. More trivia: this group does not like the subject, but were forced to burn it under pressure 'external' which certainly hit the target full. After that, the story of Quiet Riot quietly continued its course without too much upheaval, with its well-known solutions, meetings, training changes, etc ... but always, thanks to this record in particular, a certain aura of stardom. A milestone in the U.S. Metal 80's, which undoubtedly paved the way for the explosion that followed. Stylistically, I guess it just 80's Heavy Metal is the best description, although they have been wrongly stuffed into the sack of Glam sometimes due to their partying and carefree. Anyway, in all genres, there are some essential albums that define it and those who are pioneers, and 'Metal Health' is one of them. If not for its quality, that is, by its enormous historical importance this is another essential. Many bands that came after owes much to Metal Health Quiet Riot and, as they opened a gap which could be disclosed. The formation was composed by guitarist Carlos Cavazo, which was commissioned to replace Randy, and a rhythm of real estate: Rudy Sarzo on bass and Frankie Banali on drums.

CUM ON FEEL THE NOIZE!

Biography and more ... (in English)

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AVENGER - PRAYERS OF STEEL+ DEPRAVED TO BLACK (1985)

The embryo and the origin of the band Peter "Peavey" Wagner, Rage. Formed in 1983, these recordings are the two 'official' under the name of Avenger, which changed in 1986 by the above-cited Rage has reached our days. Alf had origins Meyerratken and Jochen Schroeder (Mekong Delta) on guitars and moonlighting Jörg Michael ( touched up with his shadow) on drums, and those engaged to provide strong, openly or artifice, the typical Heavy Metal of the era of the mid-80's, where there are, of course influences of the NWOBHM torn in its most wild, those first traces of Speed \u200b\u200bMetal more blatant and arrogant and productions are almost nonexistent, where the band gave more value to the compositions themselves, the 'feeling' and attitude that you get a neat and immaculate sound. Obviously, after this quarter century, Rage is a completely different band musically, that it could not be otherwise, has evolved over the years (and where Peavey is fat enough), but it is a curious exercise at least look back, view, and investigate the origins and observe the strong foundation on which forged one of the bands strong and important to this world of Heavy Metal. Sort of like having historical memory, as they call it now ...

Avenger in the Encyclopedia of Metal ...

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