Friday, October 15, 2010

Vtech Battleship Manual

SAINT VITUS - SAINT VITUS (1984)






Many bands of the current scene 'Doom' should Saint Vitus much as these Californians were already practicing these rhythmic dirges 'Sabbath' long before the genre was extended and popularized, with other bands in the USA as 'Pentagram' or 'Trouble'.

Saint-Vitus_ChandlerLM

Formed in 1979 under the original name of Tyrant bit by guitarist Dave Chandler, Scott Reagers vocalist, bassist Mark Adams, and drummer Armando Acosta, debuted in 1984 with this self-titled album, which join the 'Sabbath' that Iommi and co. had started 14 or 15 years earlier. In fact, I suspect that the very name comes from the song 'St. Vitus Dance 'consisting of Iommi - Osbourne - Butler - Ward for Vol 4 ...

Saint-Vitus_WinoLM

The main musical influence is thus clear. Anyway, Saint Vitus added to this style a lot more raw sound and more aggressive, especially on early albums, in which the production was a bit primitive. In 1986 Scott 'Wino' Heinrich Reagers replaces the microphone and consolidated training "classic" that same year he recorded his most celebrated album, 'Born Too Late. " They separated in 1996, to meet briefly in 2003, again in 2008 and now in 2010 are on tour and preparing new album, with that classically trained only altered by changing the drum kit after Henry Vasquez Acosta, for reasons health. Doom Metal course, this is pure high quality.

Saint Vitus JOIN THE DANCE!

Sunday, October 10, 2010

How To Make A Yoke Skirt

RIOT - ROCK CITY (1977)




Known as the 'little' band from New York with the strange pets (Johnny) Riot have come a long way. Formed by guitarist Mark Reale mark in 1976, were hits in the eighties, publishing works in the category of 'Fire Down Under' or 'Thundersteel', which are considered true classics, and some of the best metal discs eighties. After more than 30 year career and highway, 13 studio albums and two or three direct published and many lineup changes, Riot still active, working and enjoying a deserved success especially in the old Europe and Japan, mainly because their sound has always been oriented traditional Heavy Metal 'to European', although the disk in question, their debut, 'Rock City' still appreciated the touch 'blues', yes, but with a hard and heavy metallic edge that was completely unknown in the United States at the time, performed by European bands, of course. 'Rock City' is a great mix of Metal primigéneo, speed pioneer of 70's hard rock, blues, and traces of what sounds like NWOBHM, although we are in 1977. Some wonder if this is a work of Heavy Metal 100% or just a hard rock album that helped develop the genre. Well, actually, is both. A couple of the songs are, no doubt, pure Heavy Metal, while there are some issues that are right at the sharp edge of the Hard Rock. Although Riot become dramatically heavier in their later albums (eg the aforementioned masterpieces), Rock City is a true wonder of the American scene at the time. Soon would come the Jag Panzer, Halloween, Omen, Savatage, Metal Church and the list goes on and on, but ... Riot was more or less the first American band create genuine works by relying solely on their superb outside influences. The training we recorded 'Rock City' was as follows, in addition to the 'master' Reale, Guy Speranza (RIP), one of the most charismatic voices of time; LA Kouvaris, guitar, Jimmy Iommi (what sounds like the name ?) on bass and Peter Bitelli to the battery. Simply Cojonudos.

RIOT RULES!